Wednesday, July 29, 2009

A new guitar and So Brazil's concert

So Brazil, the duo I've created with Brazilian singer Juliana Areias, has had a great debut last Saturday (25/7/09) at a newish venue in downtown Perth, called Canton Lounge Bar. We had a great time during the gig, and so did the public, at nearly the venue's full capacity (they could fit up to 120 people, and we had a 110-strong public).

My main concern was to be able to make a nylon string guitar have as much presence as possible. To that end, I did get a new guitar (a Jose Ortega CE Lina Australian/Chinese design/make , which was fit to better action/playability by master Luthier Graham Hawkes), and a new acoustic amp (a cute Laney LA20C). For the concert, I put a Shure mic in front of the amp, and pulled a cable from the amp's DI output, both onto the sound board. The two signals were panned full to L and R. I also used a Zoom guitar effects pedal to get the guitar through some compression, a little reverb, and delay and flanger (!) in a couple of songs.

To my delight, all worked well, it was incredible to see that people were getting up and dancing to the rhythmic sounds coming out of the guitar (the presence of the instrument did fool them to think I was a band! :) ).

I'll soon post in So Brazil's Myspace site some samples of how it all sounded like during the gig.

The only disappointment after the concert was to find out that a JVC Everio HD camera we had filming the open plan of our gig was a lemon for filming indoor environs, with dim lighting. The video came out of focus so that our facial features were not very clear. But it did provide us means of checking our stage positiong etc. What saved the day was having a little Olympus digital still camera, which has a 640x480 video recording capability at 30fps, sitting beside the stage. The video from that camera came out really well, which means we might be able to post at least one songs' video to our web site soon.

Wednesday, July 22, 2009

On the radio, twenty years later...


Twenty years later, there I was, sitting in a comfortable couch inside a radio station, Australia's ABC (720AM Perth), for an interview about a new gig I am doing with a Brazilian singer/friend next Saturday. We were both a little nervous with the whole thing, but then, unlike 20 years ago when I'd get all fired up and tense like a wire during a live appearance, I started looking around, and just feeling lucky to be there once again. The views of leafless trees from the large studio windows, and how nice all people from production, technicians and the presenter, Geraldine Mellet, were being with us, all provided me a perfect setting to neutralize the hand-freezing effects of being there, live on the radio, twenty years later. Good to see time changes us for better in a few things, so I was just able to appreciate, and play as best as possible, and just feel good about it.

We played two songs from the repertoire of 15 we'll be playing on Saturday - Meu Erro (Paralamas do Sucesso) and Every Breath You Take (ThePolice). Both songs are from the rock/pop stream of music, but we reworked them onto a samba/bossa nova arrangement that sounds simply delicious for a voice and guitar duo. As a bass player, taking the classical guitar for this project has allowed me to focus on the rhythmic textures, taking advantage of the larger range of possibilities to throw in harmonic structures alongside the rhythmic thing. Of course, the singer loves it, as it gives her all the freedom and backing to float away in the melodic space that becomes all hers.

We are calling ourselves "So Brazil Duo", and everything has been fantastic about this experience.

Sunday, July 12, 2009

The Music Prism - Sadness, Life and Being Happy

I’ve written, some time ago, on how music was an important door for enhancing the opportunities of communication with our autistic son. Music is actually a two-way chance door, with pros and cons moving in both directions, like any other connection in close relationships. Sometimes our older son is deeply connected with music, his curious eyes getting closer to whoever is singing, or to the instrument that is producing those amazing sounds. Sometimes he is distracted and disruptive, and his loud expression breaks any attempt to create a coherent or harmonic music structure, into sheer chaos.

This state of things unfolds from our music interactions to all other aspects of life. Sometimes dinner is peaceful and full of opportunities for learning new words, new foods, new sounds and new interactions. Sometimes it’s difficult. Sometimes when we visit friends, the interaction is almost musical. Sometimes it can become incredibly dissonant.

And by living this way, our family has fewer friends than other families. But what we lose in quantity, we gain in quality, as a central requirement for friends that want us to be their friends, is that they are as loving as we are, as able as we are to cope with changes, as compassionate as we have learned to be, and as tolerant and patient as we have joyfully become.

More than often, however, we bump into misunderstandings, which usually degenerate onto a situation where people are initially intolerant. Luckily enough, in most cases, when opportunity is given for talking about the way we live, what we expect from life, and what life allows us to expect from it, intolerance turns into acts of embracing, recognition, and those few but great friendships are born. Other times, we become unable to reciprocate some more demanding types of expectations. In such cases, intolerance breaks down further into lack of compassion towards us, and the blob of prejudice leads to a situation where there is not much we can do. In such cases, our family as a whole mimics our older son’s disability, as it becomes impossible to communicate who we are or what we feel to those who do not want to understand. Such occasions, which thankfully have become less and less frequent, still make us very sad.

Interesting it is to see how sadness pushes us into those states of deep reflection. Also interesting is the fact that I have, recently, found again in music a deep, wide channel where the long-keeled boat of reflection can make its slow, large maneuvers. This is a consequence of my recent opportunity to take up playing the classical guitar, for rehearsing in a duo project centered in Brazilian popular music. Since I was a youngster, I have found the acoustic guitar was the perfect vessel for my most reflective moments. And I was, since such early days, surprised to see how music, made from my playing the guitar, acted as a prism to clearly separate what I was feeling.

The prism of music allows me to distill my frustration during those moments where my family is misunderstood, or is seen by the eyes of prejudice, as I mentioned above, and gives me a chance to understand that my sadness in such situations comes from realizing how desolate those people can be in their own inner worlds, and hidden lives. On the other hand, the reflective music prism can distill my own sadness, even the strongest ones, so that I can see them from the larger perspective of life, and the many chances for happiness life provides. One such chance is having in my family a disabled son, who gives us the opportunity of fully exercising our love, of recongnizing our failures, and, in the end, of becoming better persons each day.